Figurative Etchings and Engravings
All works are based upon my own thoughts and observations. Some are sketched directly from life with a model others are developed from my active imagination. I like to experiment with different drawing media, I also enjoy combining different etching techniques to try and achieve a particular look or feel. Recently I have introduced more background textures to help compliment some of the strong graphic lines. Other images work equally as well with just a few simple lines, less is more.

Artwork is presented against dark backgrounds to show deckle edge of the papers.
I have included picture details below each image.
'K, Sleeping'
'K, Sleeping'

Original dry-point engraving by Carl March.
One plate, one coloured ink with watercolour tinting.
Printed and painted on Somerset white paper.
Image size 8.5 x 14.0 cm.
Approximate paper size 21.0 x 26.0 cm.
Edition size 25 plus 10 artists proofs.
Each print individually hand made by myself, then numbered and signed.
Available with presentation mount £95.00.

Delicate line engraving of a girl sleeping on her bed.
Sketched directly onto a copper plate with a pencil, followed by traditional engraving techniques.
Attracted to the unusual view point of looking down upon the relaxing figure.
The immediacy of the dry-point scratching the surface of the plate can produce some surprising effects.
Very pleased with finished work showing the subtle paler tones, all painted with watercolour.

Location: Figurative etchings and engravings.

'K, Sleeping'

Original dry-point engraving by Carl March.
One plate, one coloured ink with watercolour tinting.
Printed and painted on Somerset white paper.
Image size 8.5 x 14.0 cm.
Approximate paper size 21.0 x 26.0 cm.
Edition size 25 plus 10 artists proofs.
Each print individually hand made by myself, then numbered and signed.
Available with presentation mount £95.00.

Delicate line engraving of a girl sleeping on her bed.
Sketched directly onto a copper plate with a pencil, followed by traditional engraving techniques.
Attracted to the unusual view point of looking down upon the relaxing figure.
The immediacy of the dry-point scratching the surface of the plate can produce some surprising effects.
Very pleased with finished work showing the subtle paler tones, all painted with watercolour.

Location: Figurative etchings and engravings.